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If you are submitting a paper application form, you must provide a supplementary form for Hong Kong and Macao visitors, workers and students. Achieving high-resolution thermal imagery in low-contrast lake surface waters by aerial remote sensing and image registration - Open access Abolfazl Irani Rahaghi Ulrich Lemmin Menil Collection , Houston. To encourage oxidation, or rust, sprinklers were initially directed toward the four German-made slabs of steel that make up the work see External links. In December , Serra unveiled his sculpture 7 in Doha , Qatar.
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Also provide a copy of your Identity card. You must be in good health. You must provide a chest x-ray completed in the last 3 months, even if you've provided one to us previously, if: You must be of good character. You may need to provide police certificates as proof of your good character. If you're aged 17 or older and plan to stay in New Zealand for more than 24 months including any time you have already spent in New Zealand , you must provide police certificates from: In the early s he drew primarily with ink, charcoal, and lithographic crayon on paper.
Serra melts several paintsticks to form large pigment blocks. The drawings do not function as preparatory studies but typically come after a sculpture has been completed, as a form of notating its spatial relationships.
Drawings After Circuit , for instance, followed an installation for documenta of four huge steel plates 8 by 24 feet each jutting in from the corners of a room, stopping short of meeting in the center.
The drawings Serra has executed since the s continue the experiments with innovative techniques but are less monumental physically. Bush 's head in place of Saturn's. This was featured prominently in an ad for the website pleasevote. For his exhibition of drawings at the Metropolitan Museum of Art , Serra reworked some of his earlier pieces on paper which had been damaged or destroyed, recreating them specifically for the show.
The museum labeled the works with two dates: According to Serra, however, it is not important whether audiences know which version they are seeing. The Pasadena Art Museum organized a solo exhibition of Serra's work in Serra has since participated in Documentas 5 , 6 , 7 , and 8 , in Kassel, the Venice Biennales of and , and the Whitney Museum of American Art's Annual and Biennial exhibitions of , , , , , , and In eight major works by Serra were installed permanently at Guggenheim Museum Bilbao.
A retrospective is an occasion to reflect and take stock, but it's double edged in that it puts me into a nostalgic relationship to my own history, which I'd rather not dwell upon. The rearview mirror perspective is not one that I'd take if there wasn't a retrospective pending. I would rather think about the work that I am doing and the work that's in front of me to do and not have to look over my shoulder.
It's obvious to me that I am not the same person that I was 40 years ago, nor are the issues that I am concerned with the same. A retrospective might give the impression of a seamless linearity of development, but my work does not evolve that way. It evolves in fits and starts. Oftentimes, the solution to a problem leads to an altogether different idea. Major presentations of Serra's graphic oeuvre include exhibitions at the Bonnefantenmuseum , Maastricht, in ; at Serpentine Gallery , London, in ; and at Kunsthaus Bregenz , Bregenz, in Also in , he was invited to take over the Grand Palais in Paris for the bi-annual Monumenta series, with a work consisting of towering steel cenotaphs.
In , the Metropolitan Museum of Art , the San Francisco Museum of Modern Art and the Menil Collection hosted a retrospective exhibit focusing on Serra's drawings, tracing the development of his drawing as an art form independent from yet linked to his sculptural practice. Serra's work can be found in many international public and private collections, including the Museum of Modern Art and the Solomon R.
Since the early s, Serra has completed many private commissions, most of them funded by European patrons. Man of Steel" on Tuesday November 25, which described him as "Sculptor and giant of modern art Richard Serra discusses his extraordinary life and work. A creator of enormous, immediately identifiable steel sculptures that both terrify and mesmerise, Serra believes that each viewer creates the sculpture for themselves by being within it. In , Serra received the Skowhegan Medal for Sculpture.
In , he was honored with the Praemium Imperiale. Along with the debate surrounding Tilted Arc , Serra's public image has been further affected by two accidents. A subsequent lawsuit absolved the artist and museum of blame. In October , another worker lost a leg while dismantling a ton Serra sculpture at the Leo Castelli Gallery.
In , an installation titled Vectors was to be built at the California Institute of Technology from the bequest of Eli Broad. The proposed ton piece,  to be four steel plates of similar material as Tilted Arc zig-zagging across one of the few green spaces at the university, met significant opposition by the student body and professors as being a "'derivative' rehash of earlier works, or an 'arrogant' piece that [belied] Institute values. Only a few of Serra's top auction prices are for sculpture; the rest are for his works on paper.
Gagosian Gallery became the artist's primary dealer in after opening a space in New York's Soho district with large entryways and a supported foundation.
Since , with publisher Gemini G. Serra's older brother is the famed San Francisco trial attorney Tony Serra.
Since , Serra and Weyergraf have resided on several floors of a former manufacturing building at Duane Street in Tribeca. Quotations related to Richard Serra at Wikiquote. From Wikipedia, the free encyclopedia. Richard Serra portrayed by Oliver Mark , Siegen San Francisco , California , U.
California Birth Index, ". Retrieved April 20, The tilted arc controversy: University of Minnesota Press. Retrieved October 13, Retrieved on July 14, Archived from the original on Forty Years , ed. McShine and Cooke, NY: Thames and Hudson , p Retrieved 18 March Missing tonne sculpture is "back " ". Retrieved 15 June RMN - Grand Palais. The New York Times. The New York Times Company.
In conversation with Steve Reich". Retrieved October 5, Menil Collection , Houston. The Metropolitan Museum of Art. San Francisco Museum of Modern Art.
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